![]() Art, it seems, gets close to the mainstream only when it combines big money and pop iconography - Damien Hirst, Banksy, Jeff Koons, or the perennial Andy Warhol, who famously cameo-ed on "The Love Boat." But the show has somehow recruited major auction house kingpin Simon de Pury as the mentor figure, and persuaded the venerable Brooklyn Museum to host a solo show of the winning artist (a longtime museum trustee resigned in protest against the Bravo partnership). #Learning on the job by jerry saltz tvEven one of the show's judges, the aforementioned Jerry Saltz, noted his ambivalence in a New York magazine blog posting: "Art on TV and in movies always comes off creepy."Ĭontemporary art has never quite jibed with mainstream media. Critic Jerry Saltz was the biggest disappointment for me: Is it the editing, or does he really believe that the mission statement of art is, 'Art is a way of showing the outside world what your inside world is like.' So is vomiting." "The overall quality of artist-crew is at best uneven," writes Regina Hackett in ArtsJournal. ![]() "What's with all the painters? and since when did 'i can't sell this' become a valid critique?" Jenn Graves, art critic for Seattle’s Stranger, emphatically concurred: "The show was horrible. "Just watched 1st epi of bravo's 'work of art.' truly terrible," wrote an artist friend in her Facebook post. Is the art world too sensitive to see itself in the corrosively shiny veneer of reality television? To hear artists and art critics kvetch on blogs, in the arts press and at art openings, it appears Bravo’s new series, "Work of Art: America’s Next Great Artist," is ruffling feathers. ![]()
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